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Sony Hack Reveals Hollywood's Acceptance Of White Privilege : Code Switch : Npr

The Rev. Al Sharpton (left) and Marc Morial, president of the National Urban League, speak to <a href=kim kardashian music video reporters after they met with Sony Pictures co-chairman Amy Pascal on Dec. 18.' /> There were two well-deserved nominations for The CW's Jane the Virgin, a Latino-centered comedy that was also well-reviewed and beloved by critics. But the absence of Black-ish left a sense that only one minority-centered comedy could make the cut, despite the fact that both shows were among the fall's best new comedies. Viola Davis snagged a Globe nomination as TV's best dramatic actress for her role on ABC's How to http://quintinqcbw.mywapblog.com Get Away with Murder. Last year, Kerry Washington was nominated for her work on ABC's Scandal; Washington's lack of nomination this year also leads to questions about whether only one black woman can nab such an honor in a given year. It all reminds me of something I noticed when The Hollywood Reporter featured a powerful essay from comedian Chris Rock on how white people and white culture dominate Hollywood. It was published in the run-up to the release of Rock's film, Top Five. He talks about how Los Angeles is filled with Latinos but somehow none of them wind up in powerful positions at Hollywood studios; how black comedian Kevin Hart is pressured to cross over, even though he draws more than 10 times the audience of white Daily Show host Jon Stewart at standup concerts; and how black women almost never get meaningful roles in nonblack-oriented films. But in the same issue, there is a round table of six actors from films that the magazine thinks will contend for an Oscar. All of them are white.
Source: http://www.npr.org/blogs/codeswitch/2014/12/26/371716376/hollywoods-acceptance-of-white-privilege-revealed-by-sony-hack?utm_medium=RSS&utm_campaign=storiesfromnpr

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